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SHOOTING FOR THE STARS (some text hidden)
By Jonathan Crouch
Introductionword count: 97
The Mercedes CLS-Class Shooting Brake is an estate version of the second generation version of the CLS four-door coupe and it sold between 2015 and 2017. A stylish combination of form and function, it's a more sporting, coupe-like take on the station wagon theme that delivers discreetly rewarding driving dynamics, a beautifully finished cabin and, perhaps most importantly of all, a level of practicality that CLS-owners might not expect. Something they wouldn't have wanted had that versatility diluted the style that sets this car apart. But it hasn't. Let's check this model out as a used buy.
Modelsword count: 12
4dr luxury estate (2.1 diesel / 3.5V6 diesel / 5.5 V8 petrol)
Historyword count: 238
The Shooting Brake. Isn't that just another word for an 'estate car'? Well no, not really. A Shooting Brake, in contrast, is more of an occasional and much more stylised load-lugger, loved by sportsman - and especially shooting parties (hence the name) - from the 1950s and 1960s, particularly here in Britain. A kind of 'estate coupe' if you like, which is why virtually 'shooting brake' designs up to this point have had only three doors. Princess Anne's Reliant Scimitar GTE from the Seventies was one of these, with similar cars like the Lancia Beta HPE, the Jaguar XJS Lynx Eventer and the Volvo 1800ES dating from the same era. In more recent times, the 'Shooting Brake' concept has made a comeback with designs like Ferrari's FF. But can it work with five doors as well as three? Back in 2015, Mercedes reckoned so and to make sure that potential buyers were aware of the fact, christened the estate derivative of the MK2 version of their executive CLS-Class model with the 'Shooting Brake' title. Though the name conjures up images of pheasant shooting and country pursuits, the reality is a car that aims to be something a lot more down to earth: an estate car for people who don't like estates. This five-door 'Shooting Brake' derivative sold alongside the existing four-door coupe between 2015 and 2017, but wasn't replaced when the third generation CLS was launched in 2018.
What You Getword count: 643
Is this really some kind of sportscar? You could almost believe it. Like all MK2 era CLS-Class models, this Shooting Brake model's front end is modelled on that used in the SLS AMG supercar and is dominated by LED High Performance Headlamps, each fitted with no fewer than 71 jewel-like bulbs that twinkle at you at night as you pause to admire this futuristic shape in your driveway, from each angle sensing something different from the designer's pen. True, it won't be to everyone's taste but then, this isn't a car designed for everyone. Just a lucky few. At the side, the uninterrupted arc of the upper window line really does offer something of a coupe-like feel, despite all those doors. Under the skin, as with all second generation CLS models, many of the panels are crafted from aluminium, not just to copy the rival Audi A7 but primarily to achieve the efficiency targets that make this car so surprisingly affordable to run. Significant in their contribution here were the frameless aluminium doors, which save a full 24kgs over the steel-crafted rear portals offered in a comparable Mercedes E-Class from this era, allowing them to be opened and closed more easily, especially on an incline. At around 5m in length, this car is 16mm longer than a normal MK2 CLS four-door, but the really important difference is the way that this extension prolongs the height of the roofline to make this Shooting Brake a more comfortable proposition for rear seat passengers. In an ordinary MK2 CLS, taller back seat passengers have, to some extent at least, to pay the price for the coupe-style looks. That's less the case here. Even six-footers will be very comfortable. Provided they're not required to sit in the middle. Still, at least you can sit in the middle, something impossible in a four-door MK2 CLS where the two outer rear seats are separated by a veneered storage compartment, something which was common to all CLS-Class models before the launch of this Shooting Brake, making them inaccessible to family buyers. Here at last was one in which three children could be accommodated, though the middle part of the rear bench isn't the most comfortable perch. As with all cars in this segment, the back seat is styled to prioritise the comfort of just two people. Of course the other benefit conferred by that increased body length is an increased luggage bay, something you access via a standard-fit powered tailgate which glides upwards to reveal a hefty 590-litre luggage compartment that's the largest in the class. It's a versatile space too if you get a car whose original owner specified the optional Easy-Pack load securing system, which came with a protection plate to stop the rear loading sill from getting scratched. As an expensive option, original buyers could specify a designo hand-crafted American Cherry Wood luggage area floor, modelled on the kind of finish you find on a millionaire's Riva speed boat. This though, would rather limit your use of the versatility that ought to be one of the prime reasons for choosing this Shooting Brake bodystyle in the first place. And it is versatile. After all, push forward the 60/40 split folding rear backrest and up to 1,550-litres of luggage room is revealed, around 10% more than you'd get in an Audi A7 Sportback and about 20% more than in, say, a rival Porsche Panamera. And at the wheel? Well it's very grand indeed. From the immaculately hand-stitched leather dash top to the centre analogue clock borrowed from the S-Class and the matt-silver inlays around the air vents, everything in the wrap-around cockpit is all beautifully crafted - a very high end place to be. And fantastically comfortable too, even if you don't get a car fitted out with the sumptuous Dynamic Multicontour seats with their inbuilt massage function.
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Category: Luxury Saloons and Estates
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